Infringement nation : copyright 2.0 and you / John Tehranian.
2011
KF2994 .T44 2011 (Map It)
Available at Cellar
Formats
| Format | |
|---|---|
| BibTeX | |
| MARCXML | |
| TextMARC | |
| MARC | |
| DublinCore | |
| EndNote | |
| NLM | |
| RefWorks | |
| RIS |
Items
Details
Author
Title
Infringement nation : copyright 2.0 and you / John Tehranian.
Published
New York. N. Y. : Oxford University Press, [2011]
Copyright
©2011
Call Number
KF2994 .T44 2011
ISBN
9780199733170 (hbk. : alk. paper)
0199733171 (hbk. : alk. paper)
0199733171 (hbk. : alk. paper)
Description
xxx, 289 pages : illustrations ; 24 cm
System Control No.
(OCoLC)671238421
Bibliography, etc. Note
Includes bibliographical references (pages 189-262) and index.
Record Appears in
Table of Contents
Acknowledgments
xi
Photo and Illustration Credits
xiii
Introduction: The Copyright Wars
xv
I.
Copyright Relevance
xvi
II.
Copyright Consciousness
xviii
III.
Copyright's Law/Norm Gap
xix
A.
The Default Rule of Use as Infringement
xix
B.
Technological Change and the Law/Norm Gap
xx
C.
The Misadventures of Captain Copyright and the Battle to Shape Public Opinion
xxi
IV.
Chapter and Verse
xxiv
A.
The Individual as Infringer
xxiv
B.
The Individual as Transformer
xxv
C.
The Individual as Consumer
xxvii
D.
The Individual as Creator
xxviii
E.
The Individual as Reformer
xxix
1.
The Individual as Infringer
1
I.
Infringement Nation: A Gedanken Experiment
2
II.
The Gedanken Experiment Deconstructed
5
III.
The Making of the Infringement Nation
14
2.
The Individual as Transformer
15
I.
Revaluing Rubber Cement
15
II.
The Triumph of Instrumentalism: A History of Copyright's Early Years
17
A.
The English Origins of American Copyright Law
17
B.
The Creation of American Copyright
19
C.
Wheaton: The Apparent End of Natural-Law Copyright
21
D.
Early Copyright Jurisprudence: Abridgement, Translation, and the Primacy of Transformative Use
22
E.
The Law in Cultural Context: Norms in the Republic's Early Years
25
III.
Et Tu, Fair Use? Natural-Law Redux
27
A.
Folson v. Marsh: Justice Story and the Betrayal of Utilitarian Copyright
27
B.
The Hegemony of Natural-Law Copyright: Folsom and Its Progeny
31
IV.
Transformative Use and Progress in the Arts
35
A.
The Importance of Transformative Use
35
B.
Fair Use's Failure to Promote Progress in the Arts
39
C.
Borrowing and Progress in the Arts: "Smells Like Teen Spirit"
45
D.
The Permission Problem: The Endowment and Entitlement Effects
47
V.
From Fair Use to Fared Use
49
3.
The Individual as Consumer
51
I.
Locating Users in the Copyright Skein
54
A.
Utilitarian, Labor-Desert, and Personhood Justifications for Copyright
54
B.
Copyright Theory and the Debate over Term Extensions
55
C.
Considering User Interests and Rights
57
II.
A Theory of Consumption and Communication: Comparing the Treatment of Identity Interests for Tangible and Intellectual Property
59
A.
Property Rights and Personhood
59
B.
Regulating Consumption, Customization, and Contextualization: Intellectual Property Law and the Mediation of Identity Interests
61
C.
Intellectual Property and Identity Politics: Four Case Studies
65
III.
Parchment, Pixels, and Personhood: The Unauthorized Possession and Private Use of Copyrighted Works
76
A.
Access to Knowledge and Information and the Importance of Private Use Rights
77
B.
The Historical Protection of Unauthorized Possession and Private Use
79
C.
The Growing Threat to Possession and Private Use Rights
83
IV.
Conclusion
90
4.
The Individual as Creator
93
I.
Art, Aura, and Authenticity
93
II.
The Emperor Has No Copyright: Reexamining Copyrights Registration Requirement
96
A.
Challenging the Conventional Wisdom on American Copyright Protection: Content Hierarchy and the Registration Requirement
96
B.
Registration and the Pivotal Role of Statutory Damages and Attorneys' Fees
97
C.
Hierarchy and the Unsophisticated Content Creator
100
D.
Registration and the Failure of the Notice Function
109
E.
Registration, Remedies, and International Treaty Obligations
114
III.
Hierarchy and Reform
116
A.
Section 412 Reform and Its Discontents
117
B.
Hierarchy in Hollywood
121
C.
Consecration, Critical Theory, and Music
123
IV.
Caveats and Considerations for Reform
124
5.
The Individual as Reformer
127
I.
Restoring Balance to Copyright Law
127
II.
Restoring the Balance Between Users and Creators
129
A.
In Terrorem: Copyright Overreach
129
B.
Reforming Copyrights In Terrorem Regime
135
II.
Restoring the Balance Between Sophisticated and Unsophisticated Parties
147
A.
Tempering the Size of Statutory Damages Awards
147
B.
Protecting Unsophisticated Creators
151
III.
Restoring the Balance Between Transformers and Creators
152
A.
The Problem with Fair Use: Transformation, Progress in the Art, and Free Speech
152
B.
Reconciling First Amendment Rights and Copyright Protection: An Intermediate Liability Proposal
155
IV.
Toward a Copyright 2.0
166
Conclusion: Copyright, Consecration, and Control
169
I.
IP as Hegemonic Battleground
170
A.
Guantanamo's Greatest Hits: Music, Torture, and Copyright Law
171
B.
The Exemption of State Governments from Infringement Liability
174
II.
Of Procedure and Substance: The Modern Hierarchies of Protection
176
A.
Love and Law: The Modern Clash
176
B.
Copyright Registration and the Sacralization of Cultural Production
178
C.
Aesthetic Judgment as Hegemonic Project
180
IV.
The Future of Infringement Nation
187
Notes
189
Table of Cases
263
Index
271