Parodies of ownership : hip-hop aesthetics and intellectual property law / Richard L. Schur.
2009
KF4757 .S38 2009 (Map It)
Available at Cellar
Formats
| Format | |
|---|---|
| BibTeX | |
| MARCXML | |
| TextMARC | |
| MARC | |
| DublinCore | |
| EndNote | |
| NLM | |
| RefWorks | |
| RIS |
Items
Details
Author
Title
Parodies of ownership : hip-hop aesthetics and intellectual property law / Richard L. Schur.
Published
Ann Arbor : University of Michigan Press : University of Michigan Library, [2009]
Copyright
©2009
Call Number
KF4757 .S38 2009
ISBN
9780472070602 (cloth : alk. paper)
0472070606 (cloth : alk. paper)
9780472050604 (pbk. : alk. paper)
0472050605 (pbk. : alk. paper)
0472070606 (cloth : alk. paper)
9780472050604 (pbk. : alk. paper)
0472050605 (pbk. : alk. paper)
Description
xiv, 236 pages ; 24 cm
System Control No.
(OCoLC)302414624
Bibliography, etc. Note
Includes bibliographical references (pages 209-226) and index.
Record Appears in
Gift
Purchased from the income of the Mr. and Mrs. William B. Jaffe Fund
Gift
The Arthur W. Diamond Law Library
Purchased from the income of the Mr. and Mrs. William B. Jaffe Fund
Table of Contents
Ch. 1
From Chattel to Intellectual Property: Legal Foundations of African American Cultural Critique
1
Ch. 2
Critical Race Theory, Signifyin', and Cultural Ownership
24
Ch. 3
Defining Hip-Hop Aesthetics
42
Ch. 4
Claiming Ownership in the Post-Civil Rights Era
68
Ch. 5
"Fair Use" and the Circulation of Racialized Texts
99
Ch. 6
"Transformative Uses": Parody and Memory
139
Ch. 7
From Invisibility to Erasure? The Consequences of Hip-Hop Aesthetics
166
Notes
189
Bibliography
209
Index
227