Kohn on music licensing / Al Kohn, Bob Kohn.
2002
KF3035 .K64 2002 (Map It)
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Details
Author
Title
Kohn on music licensing / Al Kohn, Bob Kohn.
Published
New York [N.Y.] : Aspen Law & Business, [2002]
Copyright
©2002
Call Number
KF3035 .K64 2002
Edition
Third edition.
ISBN
073551447X
Description
lvi, 1,636 pages : illustrations ; 24 cm + 1 computer disc (4 3/4 in.)
System Control No.
(OCoLC)45066410
Note
"First [edition] published as The art of music licensing."
Accompanied by CD-ROM containing model forms as RTF and PDF documents.
Accompanied by CD-ROM containing model forms as RTF and PDF documents.
Bibliography, etc. Note
Includes bibliographical references and index.
Record Appears in
Portion of Title
Music licensing
Added Author
Table of Contents
Foreword
About the Authors
Reasons for This Book
Acknowledgments to the Third Edition
Acknowledgments to the Second Edition
Acknowledgments to the First Edition
Ch. 1
The Art of Music Licensing
IThe Art of Granting Licenses
4
IIThe Art of Clearing Licenses
10
Ch. 2
The Art of Music Publishing
IHistorical Background
79
IIMusic Publishing Today
86
IIISources of Music Publishing Income
87
IVDistribution of Music Publishing Income
91
VOrganization of the Music Publisher
92
VIHow to Establish a Music Publishing Company
99
VIIThe Future of Music Publishing
100
Ch. 3
Songwriter Agreements
ISelecting a Music Publisher
107
IINegotiating the Songwriter/Publisher Relationship
108
IIINegotiating the Single Song Music Publishing Agreement
111
IVNegotiating the Exclusive Term Songwriter Agreement
138
VCollaborators
153
Ch. 4
Co-Publishing and Administration
ICo-Publishing Agreements
247
IIAdministration Agreements
258
IIICollection Agreement
262
Ch. 5
International Subpublishing
IBusiness Background
315
IISelecting a Subpublisher
320
IIINegotiating the Subpublishing Agreement
326
IVWorking with Your Subpublisher
351
Ch. 6
The Split Copyright Syndrome
ILegal Background
407
IIThe Problem - An Illustrative Example
411
IIIThe Music Clearance Industry - A Partial Solution
412
IVTip on Clearing Licenses from Multiple Co-Owners
416
VComment on Prudent Copyright Administration
416
VICuring the Split Copyright Syndrome
417
VIIThe Final Solution - Compulsory License?
421
Ch. 7
The Language of Music Licensing
IMusic as Property
425
IICopyright
426
IIIRight Versus License
427
IVOwnership of Music
429
VWorks Made for Hire
429
VIJoint Ownership of Music
430
VIINon-Ownership of Music - The Public Domain
432
VIIIDeriving Income From Music
438
IXTypes of Licenses for Music
444
XDifferences in the Rights and Privileges of Holders of Exclusive Rights and Non-Exclusive Licenses
448
XIAvoiding Confusion - Exclusive Right Versus Non-Exclusive License
450
XIIAvoiding Confusion - Understanding Ownership of the "Undivided" Copyright
451
XIIIAvoiding Confusion - Selling, Assigning, Granting, and Licensing
451
XIVThe Language of the Art
453
Ch. 8
Formalities of Music Licensing
IFormalities of Assignment
457
IIFormalities of Licensing
461
IIIGet It in Writing
463
IVLetter From Versus Contract Form
464
VReference to the Parties
465
VIStandard Terms and Conditions
466
VIIForms Used in This Book
466
Ch. 9
Duration of Copyright, Assignments of Copyright, and Licenses
IIntroduction
483
IIDuration of Copyright
484
IIIRenewal of Copyright
492
IVDuration of Assignments of Copyright
501
VDuration of an Assignment of Renewal Copyright
507
VIDuration of Licenses
521
VIIAfter Life
534
Ch. 10
Basic Considerations in Music Licensing
IBasic Music Licensing Factors
575
IICommon Terms and Conditions Regarding Fees and Payment
586
IIICommonly Used Boilerplate Terms and Conditions
591
IVAffiliated Company Problem
612
VGeneral Advice to Music Copyright Owner - Always Encourage Activity in the Song
613
VIGeneral Advice to Persons Seeking to Clear Licenses - Fully Disclose All the Uses You Might Conceivably Make of the Music
613