International copyright law : U.S. and E.U. perspectives : text and cases / Jane C. Ginsburg, Morton L. Janklow Professor of Literary and Artistic Property Law, Columbia University School of Law, New York ; Edouard Treppoz, Professor, University Jean Moulin Lyon 3, France.
2015
K1420.4 .G56 2015 (Map It)
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Title
International copyright law : U.S. and E.U. perspectives : text and cases / Jane C. Ginsburg, Morton L. Janklow Professor of Literary and Artistic Property Law, Columbia University School of Law, New York ; Edouard Treppoz, Professor, University Jean Moulin Lyon 3, France.
Published
Cheltenham, UK : Edward Elgar Publishing, [2015]
Call Number
K1420.4 .G56 2015
ISBN
9781783477999 (pbk.)
1783477970
9781783477975
1783477997 (paperback)
9781783477982 (eBook)
1783477970
9781783477975
1783477997 (paperback)
9781783477982 (eBook)
Description
xxviii, 849 pages : illustrations ; 25 cm
System Control No.
(OCoLC)910530054
Summary
International copyright law is a complex and evolving field, of manifest and increasing economic significance. Its intellectual challenges derive from the interlocking relationships of multiple international instruments and national or regional laws and judgments. This ground-breaking casebook provides a comprehensive and comprehensible account of international copyright and neighbouring rights law, from the cornerstone of the 1886 Berne Convention and the Rome Convention of 1961, through to the 1994 TRIPS Agreement and the 1996 and later WIPO Copyright Treaties. It examines how national laws have implemented the international norms, and explores the issues these sources have left ambiguous or unresolved. Ginsburg and Treppoz, two of the leading lights in international copyright law, bring their expert commentary and provocative questions to judiciously selected extracts from cases, analytical texts, and the texts of the treaties themselves, to develop a deeply nuanced understanding of this field. The approach centres on comprehending the international law and international treaties and, rather than analyzing the treaties in turn and in abstract, offers a concrete issue-by-issue treatment of the subject. Key features of the casebook:* Written by two leading authorities in the field;* Carefully selected extracts from primary and secondary sources build a clear picture of the field; * Expert analytical commentary and questions set the extracts in context;* U.S. and E.U. perspectives integrated throughout the text to ensure maximum relevance and encourage students to make comparative assessments;* An issue-based approach that synthesizes the treaties and facilitates a nuanced understanding;* Exposition of lacunae in the treaties, and extensive consideration of how private international law fills the gaps;* Leads students through the field from beginning to end.
Note
International copyright law is a complex and evolving field, of manifest and increasing economic significance. Its intellectual challenges derive from the interlocking relationships of multiple international instruments and national or regional laws and judgments. This ground-breaking casebook provides a comprehensive and comprehensible account of international copyright and neighbouring rights law, from the cornerstone of the 1886 Berne Convention and the Rome Convention of 1961, through to the 1994 TRIPS Agreement and the 1996 and later WIPO Copyright Treaties. It examines how national laws have implemented the international norms, and explores the issues these sources have left ambiguous or unresolved. Ginsburg and Treppoz, two of the leading lights in international copyright law, bring their expert commentary and provocative questions to judiciously selected extracts from cases, analytical texts, and the texts of the treaties themselves, to develop a deeply nuanced understanding of this field. The approach centres on comprehending the international law and international treaties and, rather than analyzing the treaties in turn and in abstract, offers a concrete issue-by-issue treatment of the subject. Key features of the casebook:* Written by two leading authorities in the field;* Carefully selected extracts from primary and secondary sources build a clear picture of the field; * Expert analytical commentary and questions set the extracts in context;* U.S. and E.U. perspectives integrated throughout the text to ensure maximum relevance and encourage students to make comparative assessments;* An issue-based approach that synthesizes the treaties and facilitates a nuanced understanding;* Exposition of lacunae in the treaties, and extensive consideration of how private international law fills the gaps;* Leads students through the field from beginning to end.
Bibliography, etc. Note
Includes bibliographical references and index.
Available in Other Form
Ebook version: 9781783477982
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Table of Contents
History, structure and context of international copyright law
From international conventions to national laws (or relations between international and national norms)
National treatment and most-favored-nation treatment
Substantive minima
Lacunae : authorship and ownership
Jurisdiction to adjudicate (judicial competence)
Conflict of laws (legislative competence)
Recognition of judgments.
From international conventions to national laws (or relations between international and national norms)
National treatment and most-favored-nation treatment
Substantive minima
Lacunae : authorship and ownership
Jurisdiction to adjudicate (judicial competence)
Conflict of laws (legislative competence)
Recognition of judgments.