Art collections, private and public : a comparative legal study / Elina Moustaira.
2015
K3778 .M68 2015 (Map It)
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Details
Author
Title
Art collections, private and public : a comparative legal study / Elina Moustaira.
Published
Cham : Springer Verlag, [2015]
Copyright
©2015
Call Number
K3778 .M68 2015
ISBN
9783319158013 (paperback)
3319158015 (paperback)
9783319158020 (e-book)
3319158023 (e-book)
3319158015 (paperback)
9783319158020 (e-book)
3319158023 (e-book)
Description
ix, 124 pages ; 24 cm.
System Control No.
(OCoLC)900795947
Summary
This book is a comparative legal study of the private and public art collections in various states of the world, covering the most important issues that usually arise and focusing on the differences and the similarities of the national laws in the treatment of those issues.
Bibliography, etc. Note
Includes bibliographical references.
Series
Record Appears in
Table of Contents
1.
Introduction: Collecting Art
1
1.1.
General Comments
1
1.2.
What Is Art? What Is an Art Work?
2
1.3.
Importance of Cultural Property
3
1.4.
Are Definitions Important?
4
1.5.
Identity of Collectors
6
1.6.
Collecting Contemporary Art
7
References
8
2.
Comparative Studies of Civilization---Comparative Studies of Art Collection
11
2.1.
Collectors in Different Parts of the World, in Different Moments of Time
11
2.1.1.
Enrico Cernuschi's Collection---Italy, 19th Century
11
2.1.2.
Ernesto Francisco Fenollosa---Japan---USA, 19th--20th Century
12
2.1.3.
Argentina---Municipal Museums, 20th Century
13
2.2.
Models of Cultural Politics
15
2.3.
Art Education Policy---Comparative Cultural Policy
17
References
18
3.
Collectors' Rights "Versus" Artists' Rights---Conservation and Collection Care
21
3.1.
General Comments
21
3.2.
Moral Rights
22
3.2.1.
Moral Right of Integrity
25
3.2.2.
Moral Rights---Aboriginal Art
27
3.2.3.
Case VARA Precedent? MASS MoCA V. Christoph Buchel
28
3.3.
Droit de Suite---Resale Royalty---Resale Right
30
References
33
4.
Comparative Approaches to the Study of National Museums
37
4.1.
General Comments
37
4.2.
National Museums' Characteristics: Are There?
40
4.3.
Indigenous Communities and National Museums
41
4.4.
Differences Between Museums of European Countries and Museums of the North American Countries
43
References
45
5.
Private Collections "Versus" Public Collections
47
5.1.
General Comments
47
5.2.
Collaboration Between Museums and Collectors
48
5.2.1.
Germany
48
5.2.2.
Contracts Between Museums and Collectors: Are They Governed by Public Law or Private Law?
49
5.3.
Public Access to Private Collections
51
5.3.1.
Private Collections Open to People---Converted to Public Collections
52
5.3.2.
Donations by Private Collectors to Public Museums
52
5.4.
Particular Collections: Spain---Thyssen-Bornemisza Collection
54
5.5.
Management of Private Collections
55
5.5.1.
General Comments
55
5.5.2.
USA
55
References
58
6.
Governance of Museums
59
6.1.
General Comments
59
6.2.
China
60
6.3.
Italy
61
6.3.1.
Musei Ecclesiastici
63
6.4.
Germany
65
6.4.1.
Stiftungen Des Offentlichen Rechts
66
6.5.
Spain
67
6.5.1.
Museo Del Prado: A New Juridical Regime
68
6.6.
France
69
6.7.
Canada---USA
70
6.7.1.
Canada
71
6.7.2.
USA
72
6.8.
United Kingdom
73
6.9.
Archives
74
6.10.
Concluding Comments
76
References
76
7.
Selling Art---Is it Permitted? And if Yes, Under What Conditions?
79
7.1.
Inalienability
79
7.1.1.
"Strange" Case: Korean Royal Archives as French Cultural Property?
82
7.2.
De-accessioning
85
7.2.1.
Arguments for and Against Deacccessioning
86
7.2.2.
Deaccessioning in USA and in United Kingdom
87
References
91
8.
Cultural Economics
95
8.1.
General Comments
95
8.2.
Museums Between Private and Public---The Beyeler Museum
95
8.3.
Collector as Factor of Art Objects' Market Value's Construction
97
8.4.
Growth of Art Market Around the World
98
8.5.
National Art Markets
99
8.6.
Authenticity of Artworks
100
8.6.1.
Corporations as Art Collectors---The Paradigm of Spain
100
8.6.2.
Corporations as Art Sponsors
101
References
105
9.
Museums and Collectors and the Illicit Trade of Art/Cultural Objects
109
9.1.
General Comments
109
9.2.
Export Prohibitions or Restrictions---Limited or Not
110
9.3.
International Conventions, European Union Rules and Trade of Cultural Objects
114
9.4.
Italy v. Marion True and Robert Hecht
116
9.5.
Immunity of Collections from Suit or Seizure
117
References
119
10.
Conclusions: The Ethics of Acquiring Art and Antiquities
121
References
124